Hey.
Nowadays, the spread of music and the public’s contact with it is really standardized. What I mean by this is that, today, everyone listens to music daily. We shut it down on our alarm clocks, we listen to it on the way to work, we hear it on elevators and commercials, we work out to it, and so on. But, around the turn of the century, our attention shifted from the lyrical depth of music to beats and catchy choruses. This happened especially in Hip-Hop and Rap, where most artists started to create to sell. When commercialization became the priority, the cultural and social aspects of lyrics were pushed back, overpowered (but not replaced – some artists in the music scene stayed true) by lyrics of sexual nature, or about drugs, alcohol, partying – you name it. Hip-Hop, by origin, is very political, and it’s purpose is to shed light on and educate the youth in the projects. So, themes like police brutality, guns, and gang violence, which are still very much alive today, were an essential part of this music style. Somewhere, somehow, that essence was suppressed – but, it’s coming back.
In 2015, Kendrick Lamar released an album called “To Pimp A Butterfly” (one of my favorite albums ever). It’s an incredible album, with songs like “The Blacker The Berry”, that gives us an unfiltered and raw look at a small fraction of how black people experience race, and the way they’re seen by society and themselves. Songs like “Complexion”, where Kendrick explores how the colour of your skin means nothing when it comes to your value as a human being, and continuously says “it’s Zulu love”, referring to the Zulu tribe in Africa, who welcomed a white man to live among them. It’s an album that brings back those meaningful lyrics so connected to Hip-Hop. And, recently, police brutality and race have been recurring themes in the music scene, with Lil Bibby’s “Can’t Trust A Soul”, Ty Dolla $ign’s “No Justice”, Lil Durk’s “If I Could”, Vic Mensa’s “16 Shots”, Nyck Caution’s “What’s Understood”, and many more. This is because the rise of racial tensions and police brutality can’t be ignored, and music has always been a really powerful weapon of social action against oppression.
While there’s still a debate as to whether or not police brutality is in fact on the rise, or if there’s just more coverage of it on the media, that shouldn’t really be the point – the simple fact that it happens, that, in 2016 alone, the police killed at least 790 people, should be enough for us to consider this a problem in the modern American society. And it’s terrible that it happens, but it’s even worst how little punishment (or, often, none) there is for the officers who take people’s lives. The truth is, there is such a thing as institutionalized racism, and it’s deeply rooted in America and its people – the country itself was built on the genocide of native americans, and the work of slaves – and we can see it in how religious, medical, judicial, political and police establishments function. But there are a number of ways to combat this – it just takes a conscious and joint effort to move forward and past that, into an accepting society. It’s no easy task, so, for now, we have music to guide us.
S.